2.27.2010

John Muir

John Muir portrait vector

For the past couple days I've been watching the Ken Burns documentary "The National Parks: America's Best Idea." A lot of time is spent on 19th Century naturalist John Muir, who lived an absolutely fascinating life. He also had a pretty interesting look, so I got inspired to do a portrait, continuing the hairy/brush tool trend.

2.19.2010

Hair apparent.

Another project to keep myself busy during downtime at home. Many months ago Eric Prine of world famous Attic Fire Photography took a few pictures of me with his super-hi-res-I'm-a-real-professional camera. I've been fascinated with how detailed the images are, seeing every individual hair and pore (if I had known, I would've shaved properly). I've also been interested in translating that detail into an illustration. So, voila. Self portrait.


2.16.2010

Keeping Busy



Yesterday I took a drive out to Austin's Pennybacker Bridge to take photos because I knew it would make a great illustration. People often ask me how long it takes to do one of these. Usually I don't know what to say because I work on them in shifts, shelving them for weeks and coming back to them when the mood strikes me. Well what you're looking at here took me exactly five hours. I know that because I literally did nothing else when I got home from taking the pictures (no internet at home makes Jeff a bored boy). Here's a zoom:

2.15.2010

I have arrived.

So, I have arrived in Austin (actually I arrived 2 weeks ago) and am just now getting around to reconnecting with the world. Looking forward to joining the art and design scene here. I'm finally getting around to doing more personal work and hopefully I'll have something new to show in this space soon. In the meantime, read all about my former roommate and amazing artist, Alex Soto.

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Now playing: The Beatles - Long, Long, Long
via FoxyTunes

1.11.2010

The Process of a Portrait

A lot of the portraits that I've done are of friends who asked to have one done. I try with each new one to branch out a little into territory that I haven't covered. This gives me the opportunity to try new things and expand my skills and also gives the recipient a unique portrait.

When I started working on Carrie's, I wasn't really sure what direction I wanted to go, but I always start with the same basic "skeleton" file in Illustrator and move on from there. Carrie's portrait started out much like my other portraits, particularly Brad.


Not finding this particularly satisfying, I looked for ways to make this portrait more original. My first idea was to fill the blocks of color with patterns that I also created in Illustrator.

This is a technique I hope to apply to some project in the future, but it wasn't really working for this particular image. So my next idea was to use actual found photographic textures instead of drawn patterns. I searched through folders and folders of photos I've taken through the years on my hard drive to pull out patterns with which to test the technique in Photoshop.


Once I saw things come together with just test photos I decided this was the way to go. I grabbed my camera and stepped outside to take photos of any textures I could find.


The great thing about the outcome of this project is that in addition to learning new techniques, I've begun a library of textures and patterns that are now at my disposal for future projects.